Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Georg Saal
view into a Blackforest living room with small girl on the oven bench

ID: 96904

Georg Saal view into a Blackforest living room with small girl on the oven bench
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Georg Saal view into a Blackforest living room with small girl on the oven bench


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Georg Saal

Germany (1818 -1870 ) - Painter   Related Paintings of Georg Saal :. | A Breezy Day on the Medway, Kent | The Old, Old Story | The Tribute Money | Estes Park | Descent from the Cross |
Related Artists:
Henri Lehmann
German Neoclassical Painter, 1814-1882,was a French historical and portrait painter, born in Kiel, Schleswig. He was a pupil of his father, Leo Lehmann, and of Ingres in Paris, where he opened a studio in 1847, after having become naturalized. His brother Rudolf Lehmann was a well-known portrait artist.
Friedrich Nerly
painted Piazetta San Marco im Mondschein in 19th century
Alma-Tadema, Sir Lawrence
b.Jan. 8, 1836, Dronrijp, Netherlands. d.June 25, 1912, Wiesbaden, Germany. Painter and designer of Dutch birth. The son of a notary, Alma-Tadema demonstrated an early artistic ability. In 1852 he entered the Antwerp Academy, where he studied under Gustaf, Baron Wappers, and Nicaise de Keyser. An important influence at this time was Louis De Taye, Professor of Archaeology at the academy and a practising artist. Alma-Tadema lived and worked with De Taye from 1857 to 1859 and was encouraged by him to depict subjects from the early history of France and Belgium. This taste for historical themes increased when Alma-Tadema entered Baron Henri Leys studio in 1859 and began assisting him with his monumental frescoes for the Antwerp Town Hall. While in Leys studio, Alma-Tadema produced several major paintings, for example the Education of the Children of Clovis (1861; ex-Sir John Pender priv. col., see Zimmern, p. 3) and Venantius Fortunatus Reading his Poems to Radagonda (1862; Dordrecht, Dordrechts Mus.), which are characterized by their obscure Merovingian subject-matter, rather sombre colouring and close attention to detail.






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